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"Overcoming some
awkward design restrictions, the soothing interior of this fertility clinic
helps calm the frazzled nerves of anxious patients."
by Diane Wintroub Calmenson from IS
Magazine June 2002
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With the advance of medical science and technology, there
is now more than one way to make a baby. Thanks to in vitro fertilization,
or IVF, people who might not otherwise be able are having biological children
of their own. However, the road to pregnancy—never mind the actual
pregnancy itself—can be fraught with anxiety.
At La Jolla IVF in La Jolla, CA, designer Jain Malkin, president
of Jain Malkin Inc., also in La Jolla, strove to create an environment
that would be as relaxing as possible. Soothing colors, soft sculptural
forms and gentle curves surround patients and help take the edge off of
raw nerves.
The center is located in a 3,400-square-foot corner
suite that is bordered on one side by stairs and a public corridor on
the other. Combine these confines with the large number of rooms such
a clinic requires-examination, recovery, consultation, minor procedure,
IVF lab, andrology lab-and Malkin's team was left without a square foot
to spare. The reception area, in fact, is merely a 10- by 40-foot room
because of
the overall space restrictions. Also, the only entrance to the suite dictated
the placement of the waiting room within the space.
Malkin relied on curved forms in the ceiling and on the
floor to create the illusion of a wider, less awkwardly-shaped space.
Entering at one end of the long room, patients see two curved and parallel
ceiling soffits that are mirrored in the floor's custom designed and fabricated
area rug. Both the ceiling and the floor help draw the eye toward the
window at the opposite end of the space. Soffits are painted a soft shade
of lavender, with a dropped portion above the reception desk done in pale
yellow. A light cove runs the length of the soffit opposite the desk.
A simple lay-in ceiling separates one curved soffit from the other.
Malkin's firm designed the area rug, complete with scale
drawings and dimensions. The fabricator laser-cut and assembled the rug,
and then shipped the finished product back for installation. According
to Malkin, the rug fits like a glove in the space. Its colors-lavender,
copper, pale yellow and beige-are separated one from the other by a bevel
cut.
To enhance the bit of natural light in the waiting room,
recessed lights were placed in the ceiling and the walls are painted yellow.
The curved reception desk is made of maple and cherry woods with a granite
transaction counter. The
diamond pattern on the front of the desk was achieved with a simple twist:
a 90-degree turn of the inset wood panels left the grain running in the
opposite direction, thereby creating the subtle effect. Built-in shelves
behind the desk store beautiful pieces of pottery that complement the
décor in color and form. Suspended pendants above the desk have Murano
glass shades.
Across from the reception desk is a built-in console table
also made of maple and cherry woods. A delicate fountain sits atop the
table and provides the soothing sound of babbling water. Artwork throughout
the waiting area is happy and fanciful. Lined up along one wall are five
commissioned paintings based on characters from Cirque de Soleil. Each
framed painting is mounted on a panel of lavender gypsum board as background.
On the opposite wall, playful circus sculptures sit inside niches.
“We needed to be careful about the artwork that was
chosen because people come to this clinic from all over the world, and
someone from another culture may be sensitive to certain art images,”
Malkin explains. “Also, we could not use art that depicted children
because even a picture can be heart-breaking to someone who is trying
so hard to have a child, but can’t.”
Seating in the waiting room is durable in construction,
but living room-like in design. Club chairs at the rear of the space are
covered in washable suede done in teal. Other chairs are leather or fabric,
and the side tables are made of maple.
Passing through the doorway from the reception room to the
examination area, the concentration of soft colors and forms continues.
The nurses' station features the same granite counter and diamond pattern
as the reception desk, however the pattern is created with maple and cherry.
A ceiling soffit mimics the form of the nurses' station; the suspended
pendants used to illuminate the reception desk reappear also here.
Walls around the station have fabric wall covering that,
according to Malkin, looks like linen but is quite durable. The walls
behind the nurses' station are charcoal gray, and the rest are
beige. Wall sconces add a delicate effect of light and shadow, and carpet
finishes the soft effect.
Lavender walls in the exam room relax nerves, while a border
of hand-painted flowers and floating butterflies lift the spirit. The
floor here may be sheet vinyl, but the look is definitely hardwood. Beyond
the examination room is a private bath that could rival that of one in
a fine home. A marble floor, Italian faucets, a granite counter and beautiful
mirror are anything but typical of a clinical environment.
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